More than just comeback stories, the return of Brendan Fraser and Ke Huy Quan to cinema showcases integral changes to long-standing industry traditions.
Rather than seven stages of grief, “SOS” offers 23 — one for each of the entrancing songs on SZA’s new sophomore album.
The tongue-in-cheek adaptation of Jane Austen’s novel is too self-aware for its own good.
The Music Mexico Symposium is a catalyst for the Mexican Repertoire Initiative at Dartmouth, a first-of-its-kind digital collection of authentically Mexican compositions.
The loan incites debate about the authenticity of posthumous art.