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The Dartmouth
November 14, 2024 | Latest Issue
The Dartmouth
Isabelle Blank
The Setonian
Arts

Masterpiece: The portrait of Beatrice Cenci, the muse and the myth

Just as contemporary crowds flock to the Louvre today to catch a glimpse of DaVinci’s “Mona Lisa,” during the 19th century, there was one painting that stood out amidst all the rest as the most captivating work of the “Grand Tour.” The artwork, falsely identified as Guido Reni’s 1599 portrait of Beatrice Cenci attracted visitors from all around the globe and spawned numerous copies. Writers such as Charles Dickens, Nathaniel Hawthorne and Herman Melville all documented their journey to Rome to see the painting.

Arts

'New Work for Goldberg Variations' is an elaborate masterpiece

Choreographer Pam Tanowitz and pianist Simone Dinnerstein tackle Bach’s equally canonical and intricate “Goldberg Variations” in a collaborative piece entitled “New Work for Goldberg Variations.” Tanowitz’s company performed the new piece this past weekend at the Hopkins Center for the Arts.

The Setonian
Arts

Dada Masilo's "Giselle" is not a "pretty ballet"

Shortly after the curtains opened, South African instrumentals and the voices of Dada Masilo’s dancers overtook the first notes of Adolphe Adam’s original composition for “Giselle.” The dancers were splayed and widely stanced in silhouette against a gray-green William Kentridge illustration of South African marshland.

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