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The Dartmouth
November 25, 2024 | Latest Issue
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Arts

Review: 'Tiger King: Murder, Mayhem, and Madness' is an expose on eccentricity

By Charlie Palsho | March 30, 2020

“Tiger King'' is one of the wildest true-crime stories Netflix has given us so far — so much so that its larger-than-life characters eclipse the documentary series’ initial mission of shining light on animal rights issues. The show follows the eccentric Joe Exotic (whose real name is Joseph Maldonado-Passage), a self-described “gay, gun-carrying-redneck with a mullet” who created one of the biggest wildlife preservation centers for exotic cats, along with his menagerie of exotic animal owner colleagues who prove even wilder than their pets.

Arts

Review: The second season of Netflix’s ‘You’ lacks a cohesive focus

By Lucy Turnipseed | January 10, 2020

Penn Badgley once again delivers as the serial killer that a part of you just doesn’t want to hate in Season 2 of Netflix’s “You.” The season’s 10 episodes follow Badgley as Joe Goldberg in his new life in Los Angeles. Fleeing from the mess he made in New York — murdering his ex-girlfriend and publishing her book posthumously — Joe falls right back into his old habits in Los Angeles, fixating on a woman and indulging his psychopathy. This includes periodically imprisoning people he views as potential threats in a glass cage and keeping them as his captives. 

Arts

Review: 'Looking for Alaska' resolves original novel's problematic storytelling

By Nicole Aboodi | November 7, 2019

When I was 11 years old and first cracked open John Green’s novel “Looking for Alaska,” I immediately fell in love with the air of mystery that surrounded Alaska Young, the elusive girl of male protagonist Miles Halter’s dreams. Every emo tween wanted to be Alaska: free-spirited and enigmatic, as shown through the eyes of a helplessly enamored boy.

Arts

Review: Season 5 of ‘Peaky Blinders’ a study of ambition, ethics

By Emma Guo | October 25, 2019

Set after World War I, “Peaky Blinders,” the fifth season of which came out this month, is centered around the Shelbys, a Romani family who have made their name as gangsters in the streets of Birmingham, England. At the head of the family is Thomas (Tommy) Shelby, played by Cillian Murphy, a ruthless and overly logical patriarch who, at the end of season four, becomes a newly minted member of Parliament to fulfill his longtime goal of becoming a legitimate business owner and politician who speaks for the people. While the show maintains its focus on the Shelbys’ endeavors to cultivate power and protect their own, the fifth season adds depth to the show in its discussion of mental health and morality.

Arts

Review: Netflix’s ‘Big Mouth’ shares what growing up means today

By Lex Kang | October 15, 2019

I’ve followed Netflix’s animated series “Big Mouth” since it debuted in 2017. I’ve loved every minute of it since, including its third season, which was released on Oct. 4. But I know that it rubs some people the wrong way, and I can see why it does. The sexual jokes are blatant and graphic — which can feel especially inappropriate considering that the characters are middle schoolers — and visually, the show is a tad more grotesque than your typical animation. 

Arts

Review: HBO’s ‘Euphoria’ presents a diagnosis of Generation Z

By Jordan McDonald | August 9, 2019

In the Drake-produced HBO series “Euphoria,” Generation Z is diagnosed and deified. Drawing attention to teen sex lives, drug abuse, family troubles and identity crises, “Euphoria” defines a generation by its most dramatic manifestations. The show’s narrator, lead and Gen Z translator Rue Bennett, played by former Disney Channel star Zendaya, is a biracial teenager struggling with drug addiction and the loss of her father.

Arts

Review: Netflix’s series ‘Bonding’ is derivative and unnuanced

By Lex Kang | May 21, 2019

BDSM is a topic of fascination that has been rising bit by bit outside of the shadow of stigma in recent years. With videos like Buzzfeed’s “Couples Try Bondage For The First Time,” released two years ago, and “I Became A Dominatrix To Control My Anxiety,” released just a year and a half after — with plenty of other tangentially related videos in between — it’s clear that BDSM is no longer something people are ashamed of talking about. If anything, kinky has become cool, and there’s a large market of people who want to know more. 

Arts

Review: ‘Crazy Ex-Girlfriend’ finishes strong through reprises

By Lex Kang | April 26, 2019

The CW Network’s show, “Crazy Ex-Girlfriend” has been my favorite TV show since I binged the first three seasons of it last term, which is also when I learned that the next season to my newfound favorite would be its last. My experiences with last seasons for personal favorites in television have not been great, so I was nervous and disappointed about the end to a TV gem that I had just discovered. Luckily, the fourth season of the show was yet another strong addition of a chapter in the protagonist’s journey of self-acceptance and learning to navigate personal relationships, while also fulfilling its role as a final season well by tying the story together in a satisfying conclusion. 

Arts

HBO’s ‘Game of Thrones’ begins its final season with a blast

By Veronica Winham | April 23, 2019

Before winter break, I had never seen a single episode of “Game of Thrones,” let alone read one of George R.R. Martin’s novels. By the time break ended, I had seen almost the entire HBO fantasy series, not just because I was enrolled in the winter class, ENGL 53.6, “Game of Thrones: Reimagining Medieval History as an Allegory of the Present” with English and creative writing professor James Dobson, but because it’s the type of show that once you start, it’s near impossible to stop. Once I finished season one, I started season two. Before I knew it, I was one of the many eager fans anticipating the release of season eight.

Arts

Review: Netflix’s ‘Queer Eye’ continues to be an inspiring show

By Shera Bhala | April 12, 2019

The Fab Five, the beloved group of queer men on the Netflix series “Queer Eye,” are back for their third season in Kansas City, MO — more sparkly and delightful than ever. After two seasons of makeovers in Atlanta, GA, the group hones in on the Heartland of America. Filled with stunning transformations, heartwarming moments and plenty of “yaass girl”s, the third season entertains with its bright, feel-good plot and humor.

Arts

Shrill’ is a quiet celebration of plus-size women

By Jordan McDonald | March 28, 2019

In Hulu’s original comedy “Shrill,” a TV adaptation of Lindy West’s 2016 essay collection “Shrill: Notes from a Loud Woman,” Saturday Night Live’s Aidy Bryant gets the spotlight she deserves as the lead character Annie Easton. An earnest writer in her late twenties, Annie is introduced to audiences as a charismatic dreamer stuck in a rut. After years and years of being demeaned or discounted for her appearance as a “fat” woman, she has come to her breaking point in her workplace and her love life. As Annie reclaims dominion over her body and self-esteem, we bear witness to the changes taking place as she resets the standards for those who wish to remain in her professional or personal life. 

Arts

Review: ‘Brooklyn Nine-Nine’ reveals the goodness of humanity

By Joyce Lee | February 5, 2019

There was a moment of collective solidarity on the Internet — which is really rare, considering it’s the Internet — when Fox announced the cancellation of “Brooklyn Nine-Nine” in May of 2018. Fans of the show, from Lin Manuel-Miranda to Guillermo del Toro, all tweeted their outrage, leading to the show’s resurrection at NBC a mere 31 hours after the announcement of its cancellation. 

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