Review: Sally Rooney’s New Novel Misses the Mark on Love and Politics
“Beautiful World, Where Are You?” favors cynicism over honest engagement with the biggest topics of Rooney’s novels.
“Beautiful World, Where Are You?” favors cynicism over honest engagement with the biggest topics of Rooney’s novels.
Trying a new restaurant with the Dartmouth Outing Club’s Dinertoure group did not disappoint.
The massive success of season 1 brought a fanbase back for season 2, but it ultimately did not live up to the music and acting fans were expecting.
Billie Eilish strips back her unwavering self-assurance to demonstrate a rare vulnerability in an autobiographical sophomore album that dissects the struggles that accompany fame.
After a winding road to the box office, David Lowery’s “The Green Knight” finally reached theaters on July 30.
The latest album, released June 25, builds upon the musical prowess exhibited in his last two, but with a refreshingly rougher edge.
“Loki”’s limited nature and complicated plot weaves an intriguing storyline, but leaves much to be desired in a disappointing finale.
“Black Widow” is an action-packed film with an empowering message that falls short of giving its heroine the long-awaited role she deserves.
HBO Max’s Gossip Girl reboot is sure to attract new viewers while including just enough nostalgia to bring back former fans.
Burnham’s newest Netflix special surpasses his previous works of introspective musical comedy as he grapples with isolation and understanding his place in an internet-driven world.
The artist’s latest venture transcends genre and explores emotional vulnerability.
The recently released album greatly outshines her previous one.
Producer favoritism rendered the season boring and predictable.
There were no big upsets or technical difficulties this year.
The limited series on serial killer Charles Sobhraj starts strong but ultimately falls flat.
HBO’s new series follows an ensemble cast of teenagers as they navigate high school, narcissism and their own sexuality.
This year's Grammy Awards was held outside in a dynamic, socially distanced ceremony.
Despite a sometimes uninspired chamber pop sound, the Weather Station offers a lyrical and articulate contemplation of environmental issues on their newest album.
No other band has had as inconsistent a career as Weezer has. After achieving critical and commercial success with the power-pop of their 1994 self-titled first album, the darker direction of Weezer’s second album, “Pinkerton,” initially drew negative reviews, despite later achieving cult status. Lead singer Rivers Cuomo’s embarrassment over “Pinkerton” led to a long series of albums in the 2000s full of safe, boring pop music that lacked the magic of Weezer’s early work. While the band did produce a couple of albums I enjoyed during this period, particularly 2016’s “White Album,” they reached a low with 2019’s “Black Album.”
For the better part of the decade, experimental hip-hop group Clipping — stylized as clipping. — has played a pivotal role in the revitalization of horrorcore. Consisting of rapper Daveed Diggs — known for his role as Marquis de Lafayette and Thomas Jefferson in the 2015 Broadway hit “Hamilton” — and producers William Hutson and Jonathan Snipes, Clipping prides themselves on taking elements of horror films and transforming them into musical form. The trio’s name perfectly encapsulates their production style, as harsh, industrial noises overlay unnerving, spine-tingling screams and discord.