Dark, challenging ‘Detroit’ may be controversial without purpose
I watched “Detroit” over a week ago, and I’m still not quite sure what to say.
I watched “Detroit” over a week ago, and I’m still not quite sure what to say.
To be clear from the outset, the original “Blade Runner” is far from perfect. It is a flawed masterpiece, as influential as it is imperfect. And that’s probably why I love it. It is a slow, poetic and evocative film that never asked for or needed a sequel. But here we are 35 years later and “Blade Runner 2049” actually exists. Is it as good as the first film?
In many ways, “Dunkirk” is the film Christopher Nolan was meant to make. This is not to say that it’s his best film, though it is certainly among the best.
Darren Aronofsky and I have a complicated relationship. Well, to be more accurate, his films and I have a charged, complex and often fraught relationship.
Going into “Downsizing,” all I knew was the major overarching concept. People were shrinking in order to get more bang for their buck, in a strangely practical use of science fiction technology.
“The Shape of Water” is perhaps best understood as a cap to a thematic trilogy that began with “The Devil’s Backbone” and continued with “Pan’s Labyrinth.” All three films fuse fairy tale narratives and period piece war stories together, highlighting the connections they share to illustrate what does and does not work about each.
When the original “Twin Peaks” aired over 25 years ago, it was a TV show about a mystery. With its revival this year in the form of “Twin Peaks: The Return,” the show itself has become a mystery.
A jam-packed movie theater at an evening showing of a horror movie on its opening weekend is not an atypical sight in a suburban Pennsylvania town.
As a film, “The Big Sick” is an unconventional addition to a long tradition of romantic comedies with memorable protagonists that include the likes of “When Harry Met Sally,” “Bridget Jones’s Diary” and “Notting Hill.” Kumail Nanjiani stars as Kumail, a character based on his early life as a standup comic who falls in love with psychology graduate student and quintessential girl next door, Emily, a somewhat underutilized Zoe Kazan, who is based on Nanjiani’s wife in real life, Emily Gordon.
The Vietnam War doesn’t fit neatly into American folklore.
In this era of sequels, reboots and remakes, who would have thought that “Trainspotting” would get a second chance to shine.
Honestly, I should have known how much I would dislike “Table 19” just by looking at its film poster, which is designed to look like an Instagram post.
“The Lost City of Z” is one of the most confounding cinematic experiences I’ve had in some time.
In 2011, shortly after the resignation of former Egyptian president Hosni Mubarak, Egyptian surgeon Bassem Youssef created a satirical web series in an attempt to heal his country through comedy.
“Gifted” will be the third consecutive film that I’ve given a negative rating. I want to make it absolutely clear that I don’t enjoy that fact in the slightest. Roger Ebert, the grandfather of film criticism and one of my key inspirations, wrote in his book, “Your Movie Sucks,” the following: “Some of these reviews were written in joyous zeal.
Like the film I reviewed last week, “Ghost in the Shell” is a live-action remake of an animated classic.
Walt Disney Studios’ new live-action remake of “Beauty and the Beast” is undoubtedly one of the year’s most anticipated films.
Many film reviewers, myself included, would argue that we are currently in the midst of a “golden age” of superhero cinema.
After last year’s “Oscars So White” controversy, I didn’t think a more uncomfortable Oscar ceremony would be possible.
“Get Out” begins with a beautiful, stylistic long take following an African-American man trying to navigate a suburban neighborhood in the middle of the night.