Review: The screen and its shortcomings in ‘It Ends With Us’
“It Ends With Us” exemplifies the potential pitfalls — but also the advantages — of movie adaptations.
“It Ends With Us” exemplifies the potential pitfalls — but also the advantages — of movie adaptations.
Yorgos Lanthimos’s latest achievement was a jaw-dropper at Saturday’s Telluride screenings.
The disaster film stuns with its creative effects and unbelievable plot.
Produced by A24, the film follows ex-porn star Mikey Saber’s return to his Texas hometown, providing beautiful imagery and sinister humor.
The movie is a love letter to its fans and a thank you for 20 years of continued devotion.
The film balances Marvel action sequences with a thoughtful reflection on family, love and Chinese culture.
After a winding road to the box office, David Lowery’s “The Green Knight” finally reached theaters on July 30.
The Russo brothers’ production misses the point entirely.
Filippo Meneghetti’s debut film follows two women in love as they grapple with illness, aging and coming out to their families.
A decade after Argentinian director Juan José Campanella’s “The Secret in Their Eyes” won the 2010 Academy Award for best foreign film, Campanella made his return to live-action cinema with “The Weasel’s Tale” — a remake of the 1976 film “Yesterday's Guys Used No Arsenic.” Campanella’s dark comedy, offered through the Hopkins Center for the Arts’ “Film on Demand” series until Wednesday, follows former starlet Mara Ordaz, played by Graciela Borges, who lives with three filmmaking colleagues in a secluded mansion on the outskirts of Buenos Aires.
The much-anticipated “Borat” sequel, “Borat Subsequent Moviefilm,” is as politically timely as it is funny. Starring Sacha Baron Cohen and directed by Jason Woliner, the film, released Oct. 23, outdoes its predecessor with its bold, high stakes pranks and rich political satire. At its core, “Borat Subsequent Moviefilm” makes a powerful critique of how misogyny is frequently overlooked in President Donald Trump’s America.
“Enola Holmes” — one of the newest entries to Netflix’s catalog, based on the young adult series by Nancy Springer — is a fun, adventurous and action-packed film that brilliantly reinvents the Sherlock Holmes franchise. Directed by Harry Bradbeer and written by Jack Thorne, “Enola Holmes” centers on the life of the youngest Holmes sibling, Enola (Millie Bobby Brown), and her journey to reunite with her missing mother while forging her own sense of freedom. While the film contains some elements of the classic Holmes mysteries, it adds a new twist with its focus on social activism and female intellect. From start to finish, the film successfully creates a world that places a strong-willed heroine center-stage, offering a timeless lesson on female empowerment.
In late 2018, the production crew of “Mulan,” the latest soulless Disney live-action remake, began filming in the Xinjiang province of northwest China, home to the Uighur people. At that same time in Xinjiang, the Chinese Communist Party continued to sharply expand internment camps for ethnic Uighurs, camps that had already incarcerated up to one million members of the predominantly-Muslim minority group.
When I first watched “Indian Matchmaking,” I didn’t frown upon the premise of the show.
“The King of Staten Island” is not a good movie. There. I’d like to get that out of the way. Unlike the 136 minutes stolen from me watching this snooze fest, it will only take me a second to get to the point of this review: “The King of Staten Island” is incredibly boring, self-indulgent and not worth your time or money.
Director and producer Spike Lee’s “Da 5 Bloods,” released two weeks ago on Netflix, is an impactful Vietnam War story about the Black experience, following the journey of four middle-aged, Black veterans in the present day. In the film, the group returns to Vietnam to recover the body of their fallen captain and the buried treasure they left behind during the war.
On May 1, Netflix released Alice Wu’s “The Half of It,” a film that follows Ellie Chu (Leah Lewis) as she navigates love and personal identity as a queer, Asian American teenager. “The Half of It” transforms the common teen romance narrative into a funny, relatable and heartwarming work of art by pushing the boundaries of representation in mainstream romantic comedies.
On April 10, Netflix released Alan Yang’s “Tigertail,” a film inspired by the experiences of Yang’s father that follows the life of Pin-Jui (Tzi Ma), a Taiwanese-American immigrant. Despite a few flaws, “Tigertail” shares a touching, authentic and relatable story about the Asian-American immigrant experience.