AVA gallery focuses on local river and scenery
The Connecticut River’s motion and splendor will wind its way through the Alliance for the Visual Arts gallery in Lebanon.
The Connecticut River’s motion and splendor will wind its way through the Alliance for the Visual Arts gallery in Lebanon.
The Barrows Rotunda, the circular space that greets passersby as they enter the Hopkins Center, will showcase the work of studio art intern Julian MacMillan ’14 until Nov. 25.
The stage was dimly lit, bare except for Hermann Hudde, in all black, and his guitar. The intimate, minimalist setting shone a spotlight on Hudde’s talent, inviting the audience to fully immerse themselves in his music. Hudde, a classical guitarist, performed in the Faulkner Recital Hall at the Hopkins Center on Sunday as part of the Vaughan Recital Series.
If you took Bill Murray’s floundering, philosophical narcissist from “Lost in Translation” (2003), threw in alcoholism and a Russian prostitute, then let him desiccate into an even more pruney scumbag, you’d produce his “St. Vincent” (2014) character, Vincent.
Alix Madigan ’84, producer of award-winning “Winter’s Bone” (2010) and cult favorite “Smiley Face” (2007), was on campus Friday for a screening of “Laggies” (2014), her most recent film, at the Black Family Visual Arts Center.
Audience members are primed for the trip of a lifetime, as Barbary Coast Jazz Ensemble will play a concert that delivers them to space, celebrating the influence of musician and philosopher Sun Ra on Saturday. Noted trombonist and composer Craig Harris, who once played with Sun Ra as a member of Arkestra, will join Barbary Coast on stage.
Romano said she came to college confident in what she wanted to get out of the experience and has stuck to her path since freshman year. Now a senior, the studio art major and digital arts minor can reflect on her time in the arts at the College.
Documentarian Jan Krawitz explores the emotions and experiences of altruistic organ donors in her most recent documentary, “Perfect Strangers” (2013), which will be screened at the Loew Audtorium on Wednesday evening.
If someone asked you what art is, what would you say? Art is harder to define than you thought it would be, isn’t it? A friend posed this question to me the other day, and my response was a jumbled list of names.
Called “The Swan of Avon,” “The Bard of Avon” or simply “The Bard,” William Shakespeare and his plays and poems remain a staple in English literary education. Dartmouth marked the 400th anniversary of the poet’s death with a symposium on Friday and Saturday in the Haldeman Center that focused on how to teach his works today.
Nine-time Grammy Award winners The Emerson String Quartet will perform at the Hopkins Center on Tuesday evening. The program will consist of string quartet works from composers Benjamin Britten, Maurice Ravel and Dmitri Shostakovich.
Gar Waterman ’78 is a Connecticut-based sculptor known for his large public sculptures. He typically works in stone, bronze, wood and glass, and his sculptures are often inspired by the natural world, especially sea life. Waterman installed “Feral Seed,” a sculpture, in the atrium of the Life Sciences Center in August.
Vibrant, encompassing, kaleidoscopic and free-flowing: these words evoke images from “The Epic of American Civilization,” commonly known as the Orozco Mural. Its expressive richness was typical of the early 20th century’s Mexican muralism movement, spearheaded by Diego Rivera and Orozco himself. Director Jorge Gutierrez’s first animated feature film, “The Book of Life” (2014), brings muralism into the 21st century, creating a bustling, sumptuous 3-D adventure that explodes off the screen.
As if an imaginary fist from behind the frame had punched through the foil of Jack Whitten’s “Birmingham 1964” (1964), a hole appears like an artifact of violence, a documentation of the civil rights movement. The hole is a window, offering a view of an old newspaper photo. A stocking mesh prevents a clear view of the image.
A Saturday concert showcasing varied voices — including current and former members of Gospel Choir, the Rockapellas and Glee Club as well as former Dartmouth Idol participants — will take the place of the Gospel Choir’s traditional fall concert.
Despite Baker Library’s notorious bustle, one cannot help but stop and notice the flashy graphics of World War I posters featured in glass cases along the entrance lobby’s walls. Behind the glass pane, a war-torn figure stands defiant amidst the blaze of a flaming battlefield. In another image, a soldier steps over the corpse of a fallen enemy. Above him, two words capture his unbroken will: “Come On!”
Censorship is far from new. But the subjective assessment of what art is “acceptable” and what art is censored is a new trend. Even before censorship laws, government parties and powerful individuals suppressed what fit their definitions of “unacceptable.” Socrates had to drink poison hemlock for disseminating seditious ideas and corrupting the minds of the youth.
The Hopkins Center will celebrate jazz’s classic and vibrant sound on Monday evening when Jazz at Lincoln Center Orchestra, a 15-man touring group featuring nine-time Grammy Award-winner Wynton Marsalis, performs a concert at Spaulding Auditorium.
“This is the year that those / who swim the border’s undertow / and shiver in boxcars / are greeted with trumpets and drums.” So begins a stanza from Martin Espada’s poem “Imagine the Angels of Bread,” which imagines a future where persons who have been historically discriminated against and disadvantaged are rewarded. On Saturday afternoon, 30 students, parents and teachers participated in a Bentley Theater workshop that used Espada’s poem to launch conversations about campus climate.
Daniel Adel ’84 is known for his stunning portraitures and hilariously accurate caricatures. Adel has exhibited his work in New York for decades as well as painted portraits of CEOs, university presidents and well-known judges. His illustrations have been featured in the New Yorker and the New York Times, and he drew the Time Magazine cover designating George W. Bush “Person of the Year” in 2004. Adel currently lives and works in Provence, France.