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The Dartmouth
August 11, 2025 | Latest Issue
The Dartmouth
Arts
Arts

D'Souza '83 discusses the nature of racism

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Dinesh D'Souza's '83 controversial new book, "The End of Racism" gives a comprehensive discussion that includes a wide assortment of intriguing ideas regarding the nature of racism in modern day America and throughout history. In an exhaustively researched and clearly laid out presentation, D'Souza traces the historical development of racism to the present day, arguing convincingly that it is rarely a product of ignorance and fear as often charged, but instead the result of a rational, scientific attempt to reconcile observed differences between groups. D'Souza elaborates on the difference between racism, which is based on a presumption of biological inferiority, and ethnocentrism, which is between cultures, not necessarily racially based and presumes no biological inferiority. Contrary to popular claims, D'Souza argues that racism is not a universal part of human nature, that it had a clearly marked beginning and thus there is hope for its end. It is in his consideration of the origin and correct interpretation of racism that D'Souza excels, debunking many of the myths espoused by what he sees as a Civil Rights establishment afraid to admit that racism has largely vanished from American society because it would leave them with no job and no cause to fight for. Unfortunately some his ideas and refreshing perspectives are bogged down by poor organization and a lack of a coherent thesis. D'Souza's purported goal in the book is to argue that the enormous decay in the black community in America can not longer be blamed on racism by whites or on lingering effects of slavery, and that the blacks must take responsibility for their community. But far too much of the book is dedicated to a discussion of cultural relativism, an idea that D'Souza spends considerable time bemoaning but little time rebutting. Much of the text is a meandering trip through a series of ideas that, while all related to race and racism, give the reader little indication as to the author's goal. And in the last chapter, with the reader hopeful that D'Souza will attempt to pull together his monumental research effort into some sort of defining statement, he comes out of nowhere with a proposal that the Civil Rights Act of 1964 should be repealed in favor of a system that calls for a completely "color blind" government and a legalization of discrimination in the private sector. In this culminating chapter D'Souza argues that people do not have a basic right not to be discriminated against.


Arts

Morris dance company to perform at the Hop

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Often whimsical and slightly outrageous but always propelled from the heart, the Mark Morris Dance Group will perform tonight at the Moore Theater. Since founding his company in 1980, Mark Morris has earned a reputation for writing his own rules as the country's hottest young choreographer.


Arts

Kidman steals the show in 'To Die For'

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Starring in the black-comedy, "To Die For," Nicole Kidman shows that she no longer has to play Gilligan to husband Tom Cruise's Skipper in such past movies as "Far and Away" and "Days of Thunder." Going it out on her own in Gus Van Sant's newest flick, Kidman shines as Suzanne Stone, a perky and ambitious weather girl in a sleepy New Hampshire town, who will do "anything" to make it big. "To Die For," the perfect medium for the talents of the kewpie-eyed vixen of this summer's "Batman Forever," is Van Sant's much heralded thriller/farce.


Arts

Wal-Mart may open a branch in Lebanon

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After years of trying to enter the Upper Valley market, Wal-Mart, the national discount superstore, may soon open a branch in Lebanon despite legal technicalities and reticent townsfolk. K&J Associates recently applied to develop a tract of land that Wal-Mart previously tried to construct a store on.


Arts

Henry '52, Van Sant team up to produce a bizarre comedy

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The latest dark comedy by Columbia pictures, "To Die For," will be part of a special presentation by the Dartmouth Film Society this Friday. Based on a novel by Joyce Maynard and starring Nicole Kidman and Matt Dillon, "To Die For" is touted as one of the best films of the Fall season.


Arts

Galper quartet thrills Rollins audience

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Putting on a clinic in group improvisation and communication, the Hal Galper jazz trio and tenor saxophonist Jerry Bergonzi gave Dartmouth a rare treat last night at Rollins Chapel. The trio, which has had few personnel changes in the last thirty years, exhibits a tremendous amount of empathy in their playing.


Arts

A capella group mixes music with religious ideas

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Hoping to turn some heads and spread their message, X. ADO, a newly formed a capella group on campus brings a unique brand of a capella music to Dartmouth this fall. Unlike the other a capella groups on campus including the Aires, the Dodecaphonics, and Rockapellas, X.




Arts

Galper trio introduces Dartmouth to 're-bop'

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When alto-saxophonist Charlie Parker and trumpeter Dizzy Gillespie hit the jazz scene in the 1940s, few predicted that the course of jazz music would be changed forever. Be-bop, the music that Parker and Gillespie conceived, also had a few derivatives, including hard-bop and re-bop. The Hal Galper trio, a jazz group that will perform at Rollins Chapel tonight,is best known for its interpretations of standards and originals in the re-bop tradition.And though they maintain a relatively low profile, their music largely speaks for itself.It is a mix of the fare that be-boppers played and "cool-jazz," developed by the Miles Davis quintet in the 1950s but with a degree of lyrical improvisation that is absent in most jazz groups today. Comprising pianist Hal Galper, drummer Steve Ellington and acoustic bassist Jeff Johnson, the trio has a unique voice: subtle and quiet, but intense and energetic at the same time. Galper, a graduate of Boston's Berklee School of Music, is the most prominent voice in the trio's latest recording, "Re-Bop." His style, however, is hardly reminiscent of be-bop.





Arts

Von Stade performs to a full house

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After three encore performances, the full house at Spaulding Auditorium sounded like it still hadn't gotten enough of mezzo-soprano Frederica von Stade. Though there were several highlights during the show, von Stade's finest moments were during the second half of the program and the three-song encore. The first half of the concert included Four Ariettes by Alessandro Scarlatti, Five Lieder from "Des Knaben Wunderhorn" by Gustav Mahler and Cinco canciones populares Argentinas.


Arts

Three student-and alumni-run firms move: Wheelock Books, Black Phoenix and Green Card take advantage of close location to campus

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In an effort to get closer to the heart of campus, three local businesses run by Dartmouth students and alumni moved into adjoining offices in the Stilts Center on West Wheelock Street, across from the Collis Center. Wheelock Books and Black Phoenix Sportswear are housed in the western half of the facility and the Hanover Green Card is in the eastern wing. Wheelock Books has one large room, which it shares with Black Phoenix, and a small administrative office.


Arts

Cahiers du Dartma takes a look at Summer cinema's best

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Bridging the gap between the pop-art kitsch of "Entertainment Weekly" and the straight-laced reporting of "Film Comment," Cahiers du Dartma is the newest kid on the Dartmouth publication block. This, the second issue of the termly produced journal, features a wide gamut of commentaries and reviews on cinema.This term, Cahiers du Dartma (not to be confused with the English word "cashier") highlights this year's summer film fare. A grab-bag of reporting on the new and upcoming like "Crumb" (1994) and "Smoke" (1995) and the old like "On Her Majesty's Secret Service" (1969), a forgotten James Bond movie, Cahiers du Dartma is sure to satisfy any student's reading palette.


Arts

Hood showcases Native American art

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Who could ever imagine the enormous power held within the click of a shutter -- a power capable of unleashing emotions and overturning ideas in mere fractions of seconds.


Arts

Noted mezzo-sopranto to sing tonight

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Frederica von Stade is not your typical musician. She began at the top and has stayed at the top of her profession for the last 25 years. Since receiving a contract from the Metropolitan Opera in 1970, she has never looked back. She is regularly invited by the world's premiere conductors to appear in the finest orchestras: the Boston Symphony, the Philadelphia Orchestra, the London Symphony and several others. She has recorded over three dozen albums for every major label.