Alumnus wins Academy Award for animation
Senior Fellowship project garners gold award
Senior Fellowship project garners gold award
This quarter the Dartmouth Film Society presents a wide array of cineamatic blockbusters and arthouse winners under the aegis of "Cinema Cool." With "Cinema Cool," DFS attempts to provide students with a cinematic definition of what "cool" is while questioning how much we define our "coolness" from the movies we see. The film series, developed by DFS members Michael Ellenberg '97, Sarah Johnston '97 and Christopher Kelly '96, is composed of the usual mix of new-age flicks and veritable classics. This summer's line-up is quite impressive, beginning with the bad-boy classic, "Butch Cassidy and the Sundance Kid." The movie stars Paul Newman and Robert Redford as two gun-toting bank robbers whose adventurous personalities lead them to one perilous adventure after another while on the lam. Other gems from the DFS line-up include "Broken Arrow," an action-adventure thriller featuring John Travolta and Christian Slater. Directed by John Woo, the film makes use of people's fear of nuclear destruction as it describes the theft of nuclear weapons by mad-man Travolta and his latter actions as he tries to detonate them. "Toy Story," is an animation tour-de-force, featuring the voices of two time Academy-Award winner Tom Hanks and Tim Allen of "Home Improvement" fame. Classics such as "The Maltese Falcon" and "La Dolce Vita" will also be shown this term, introducing students to the "cool" Sam Spade as he searches for the enigmatic maltese falcon and the "coolness" of being in love in Federico Fellini's Italian masterpiece. "Cinema Cool's" line-up will also make use of several double features and even one four film biker marathon featuring: "The Wild One," "Scorpio Rising," "Rumble Fish" and "The Loveless." While "Cinema Cool" plays in Spaulding Auditorium, the Loew theater will feature an intriguing slice of documentaries, including many which have played at such film festivals as Cannes, Telluride and Sundance. Begining the Loew series includes the much-touted documentary "The Celluloid Closet" which chronicles the use and themes of homosexuality in the cinema. Later in the term, "Anne Frank Remembered" is a stunning depiction of Anne Frank which makes use of archival footage, photographs and is punctuated throughout by interviews with survivors. The last film in the series, "Sex, Drugs, and Democracy," will raise questions about such burning issues such as euthasia, legalization of marijuana and abortion.
In the next weeks, the New Hampshire Superior Court will make a ruling that could bring more money to Hanover schools and could lower property taxes. The court is considering a lawsuit accusing the state of New Hampshire of insufficiently funding schools.
Hourly rate on meters will jump from 25 cents to 50 cents
The dancers and musicians of Maria Benitez Teatro Flamenco will bring the clapping hands, stamping heels and staccato rhythms of Spain's classic dance to the Moore Theater of the Hopkins Center of Performing Arts at 8 p.m.
The student play "Vicious Cycle," alternately titled "How Elvis Really Died," opened last night in the Bentley Theater, unleashing a message about what happens when the limits of friendship are pushed too far. The play, written by Jay Hanlon '97, takes place at an unnamed college in New England and concerns a group of five friends. At the beginning of the performance, Jonathan (Marc Bruni '99) has to attend a formal in about half an hour, but can't seem to find a date. When his friend Alexander (Eyal Podell '97) enters with Jess (Gretchen Lanka '97), he asks Jess to go with him.
Steppin' Out, the College's newest dance group, is striding into the foreground on campus. The students involved in the organization have taken up the art form of tap dance to create their own niche among dance groups on campus. Steppin' Out performed for the very first time at the Rhythm Fest on Green Key Weekend to a receptive crowd in Collis Common Ground. Erica Chong '97 and Kristin Johnson '98 founded Steppin' Out earlier this term.
The Dartmouth Symphony Orchestra, aided by the Chamber Singers, the Glee Club, and the Handel Society delivered stunning performances of Beethoven's 9th Symphony over the weekend. Before the concert began, Director of the Hopkins Center Lewis Crickard presented the Senior Symphonic Award to a surprised Patrick Kwon '96. Kwon, a soloist and two-year concert master, received a warm and lengthy round of applause from an audience which seemed familiar with and appreciative of his talent and commitment to the DSO. With Anthony Princiotti, the conductor of the DSO, taking the podium, the first movement began with a controlled intensity that realized Beethoven's expectations in composing the opening motive. The opening motive created a world of sound that quickly developed from nothingness to a powerful climax. Throughout the entire concert, all the string sections maintained a beautiful, clear, even, and at times almost contemplative sound in the more restrained portions of the work. Princiotti conducted the first movement superbly.
Ever been greeted by someone who knows you, but you can't remember them at all? In a new film currently showing, a man finds himself cast into a similar but much more difficult predicament. In "The Pallbearer," television star David Schwimmer from the hit show "Friends" stars as Tom Thompson, a fairly average 25-year old who receives a desperate call from a woman he doesn't recognize. Mrs. Abernathy (Barbara Hershey) tearfully tells him that her son, Bill, is dead and that she wants Thompson to be a pallbearer at Bill's funeral. Supposedly the deceased man was a classmate of Thompson's in high school.
The University of Vermont and hip-hop music do not conjure up synonymous images in most people's minds. So those expecting only tired-sounding Phish cover bands out of northern Vermont will be pleasantly surprised by Belizbeha, an eight piece hip-hop/jazz ensemble from UVM. While rap and the wilds of New England may at first seem like strange bedfellows, Belizbeha proves that the combination can work. Their first full-length album "Charlie's Dream," released late last year, shows innovative musicianship. By any standards, the band is on its way to the top. Belizbeha has played at established venues such as the Club Metronome in Burlington, Vt., The Bayou in Washington, D.C., the Wetlands in New York and Club Soda in Montreal. They have had no problem performing with ease at schools such as Middlebury College, Hamilton College, Emory University and at their alma mater UVM's Oktoberfest. The band described in their release that their audience demographics consists of people aged from 10-40 years, a male/female ratio of 40/60, and racially mixed groups with college students forming the core constituency. Russ Weis, the manager of Club Metronome, wrote, "To find a new, young band with talent is rare; to find one with the energy to take a town by storm and create a unique vibe is rarer still ..." "All these traits and more have been undeniably present in the brief yet inspiring career of Belizbeha, the Burlington, Vt.-based band that, as suggested by its name, mixes a range of musical styles from A to Z." The band, according to a press release, has embarked on an aggressive marketing strategy by setting up a home page on the World Wide Web, releasing a weekly newsletter and arranging an active touring schedule. Their Web page, located at http://www.together.com/~belizbeh/, offers fans the opportunity to catch up on the band's latest information, such as performance dates. The group's rapping style is refreshing not because it is radically new, but because it recalls the good old days when rap was not reserved solely for self-congratulatory paeans to violent urban ghetto life. People searching for an aggressive, fast-paced rapping style in the Onyx vein may be surprised by the relaxing, mellifluous rhymes of Belizbeha.
When Food Court has closed and Everything But Anchovies has stopped delivering, Foodstop is the only place in town where students can acquire that much-needed, just-before-sunrise snack or beverage. Terry Rose, the night clerk at this convenience store on the South end of Main Street, commented that almost all the nighttime customers are students and likened her job to being the town bartender. "We keep the little kids in donuts and the athletes in Gatorade," she observed. Rose feeds and sells caffeine to students from 10 p.m.
In tonight's double feature, two mothers get political. "Mother" is an intense and sympathetic study of a working woman living in revolutionary Russia around 1905.
After inciting more than two years of neighborhood controversy, the College will finally break ground for the construction of the Roth Center of Jewish Life at Dartmouth next week. The center will house Hillel, the Jewish students' organization at Dartmouth.
It's hard to distinguish between melancholy and introspection. The Cranberries tread the line between the two, often crossing into both sides. "To the Faithful Departed," The Cranberries' newest release, captures both introspection and melancholy.
While the various sites on the World Wide Web from Excite to Yahoo are helpful, all have benefits, drawbacks
Several students clothed in ghoulish, tattered rags came onto the stage. As they huddled over a figure in a red jacket, the stage was set for an evening of all-out entertainment. The students, the Dodecaphonics, launched into Michael Jackson's "Thriller," kicking off the Spring Sing a cappella concert on Friday night in Spaulding Auditorium. The Rockapellas, the first group to perform as part of the program, appeared at the back of the auditorium, clad in vintage '70s flashy garb. Gyrating to hits from the '70s, the Rocks wove through the audience on their way to the stage.
The release of the Dodecaphonics' new CD "Dodecadence" was heralded by their wonderfully over-the-top publicity at Friday night's Spring Sing, an a cappella concert.
This time, it's Dead Woman Walking. "The Last Dance" was doomed from its release to be compared to that other death row movie -- "Dead Man Walking," in which the main actress garnered a Best Actress Academy Award.
Dante once wrote in his "Purgatorio," "Not by the malediction of bishop nor priest is Eternal Love so lost, as long as hope hath still a speck of green." It is with this in mind that we look to director Terry Gilliam's "The Fisher King," a film about sin and redemption, despair and hope. Jack (Jeff Bridges) is a brash talk radio D.J.
From people trapped in a bus station to trapped in a subway train to running away with the circus, this year's Eleanor Frost plays deal with some ordinary people facing extraordinary situations. But this year's winning playwrights, directors and the thespians they have assembled to stage their plays are more than up to the challenge of performing these works. The Eleanor Frost Playwriting Competition was established in 1950 by a gift from Eleanor Louise Frost, which has been supplemented by gifts from Henry Williams. Frost was a member of the Dartmouth community who enjoyed and encouraged the Dartmouth Players Experimental Theater, according to the Hopkins Center. The annual Frost Play Festival is a contest open to all Dartmouth classes from all majors.