Review: ‘It Starts With Us’ takes readers through the pain of new beginnings
Colleen Hoover illustrates the messiness and necessity of starting a new life after abuse.
Colleen Hoover illustrates the messiness and necessity of starting a new life after abuse.
“Pippin,” the last theater department MainStage production before the Hopkins Center renovation, puts a surrealist twist on a Tony Award-winning musical.
The show furthers the captivating world established by its predecessor but may lose viewership due to its slow pace.
Explore this week’s movies, plays and musical performances at the Hop, or delve into the world of Korean contemporary art at the Hood.
The Nugget Theater’s deceptively quaint exterior masks an interesting piece of Hanover history.
An exploration of the art and architecture underlying Dartmouth’s recent West End construction.
The upcoming Hop renovations will fundamentally change Dartmouth’s art scene.
With her latest album, “Midnights,” Taylor Swift captures a new sound and aesthetic vision, emphasizing the artist’s unique ability to constantly change.
Accelerated by COVID-19, the film industry has been revolutionized by streaming service platforms.
This week, explore events at the Hop and the Hood and attend both Glee Club’s and Coast Jazz orchestra’s culminating concerts for the term.
The Collective began its U.S. tour at the Hopkins Center for the Arts and was guest directed by South African cellist Abel Selaocoe.
The symposium brought together academics to discuss animal depictions in eighteenth and nineteenth century art.
Fueled by a sense of deep nostalgia, the new album explores being sick of home and being homesick through a strong sense of people and place.
Townsend read and commented on her recent novel, “Mother Country,” in Sanborn Library.
Cook introduces her upcoming novel, “Tell Them To Be Quiet and Wait,” the story of Dartmouth’s first female professor.
“Blonde” illuminates the biopic genre’s tendency to glamorize and sexualize suffering.
Director Jennifer Robinson’s sophomore feature, “Do Revenge,” is a successful Gen-Z spin on Hitchcock’s “Strangers on a Train.”
Rina Sawayama’s “Hold the Girl” is a cathartic journey toward self acceptance and liberation
Criticisms surrounding “Monster: The Jeffrey Dahmer Story” offer new insights into the ever-growing popularity of true crime serial killer dramas.
‘Maḏayin: Eight Decades of Aboriginal Australian Bark Painting from Yirrkala’ the first major exhibition of Aboriginal Australian art in the United States, is currently on view at the Hood until Dec.4.