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At the end of the second week of classes, with students settling in and coursework picking up, Programming Board hosted Fallapalooza: a music concert held at Gold Coast Lawn on Friday, Sept. 22. This year’s concert featured J. Maya as the opener and Claire Rosinkranz as the headliner.
When the lights dimmed in the Boston Royale, the crowd immediately went silent. A figure walked out from stage right, dressed in a red suit and a red coat with exaggerated shoulder pads. As Rina Sawayama struck her starting pose and the opening chords of “Dynasty” began to play, the crowd erupted in cheers.
Since the release of her critically acclaimed second studio album, “Punisher,” in June 2020, Phoebe Bridgers has had a busy year. From her four Grammy nominations to her controversial Saturday Night Live performance, Bridgers has generated more commercial success than your average quiet, melancholic indie folk singer-songwriter. To top it all off, Bridgers is ending 2021 by going on her first tour since the beginning of the pandemic. On Sept. 27, I had the privilege of attending the second night of her performance at Boston’s Leader Bank Pavilion. While her low-key musical style may not seem particularly well-suited for a venue that seats a few thousand, she gave a generally fantastic performance that captivated the audience.
We all know the motto for spring term’s big weekend: “Green Key is a marathon, not a sprint.” If you’re reading this, that means you made it past the finish line, and whether or not you crawled that last leg or not, you are a CHAMPION. And no matter what your weekend was like, we're sure it was filled with loving alums, sunshine, darties and a whole lot of MDF approved alcohol. And even more potent than the surges of regret you are still reeling from in your Annex B cubicle are the drunk texts hanging over your head like a raincloud of shame. And just like we do every year, Dartbeat has compiled the most hilarious and egregious Green Key texts you'll never live down:
This afternoon, composer Molly Herron and the Tigue, an ensemble of three percussionists, will perform Herron’s composition, “Assembly” — on instruments that were invented under six months ago.
The Dartmouth Symphony Orchestra aims to channel the invigorating energy, splendor and emotional of classical masterpieces in its Saturday performance, even as the paralytic chill of winter besets New England.