Award-winning Chinese-Australian photographer and storyteller William Yang brings his latest show “Shadows” to Dartmouth this weekend. Appropriately his multi-faceted work is indeed reminiscent of something emerging from the darkness to be understood later, in all of its haunting beauty. More »
Madonna has officially broken my heart. Once, it seemed her reign as the most incisive interpreter of pop culture’s cutting edge could never end: Her spot-on 1980s mutations from “Like a Virgin” to “Material Girl” to the burning crosses and dogma bashing of “Like a Prayer” were matched only by the next unexpected decade. In the 1990s Madge went from “Erotica” dominatrix to a Kabbalah enlightened, dance-trance maverick. At once an icon and iconoclast, Madonna never slowed down. Until now. More »
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